Skip to main content

BSA106 The Bicycle Thief.

I agree with the statement that "The Bicycle Thief" is one of the greatest films of all time because it successfully portrays the reality of living in poverty and the unfairness and desperation of the whole situation in a way that everyone can empathise and sympathise with.
Image result for the bicycle thief
In my opinion the bike represents wealth. The people who have a bike have the power to go places and, in the fathers case, work. Typically, those with bikes have a freedom that those without haven't which you can see in the early tram scene when everyone is pushing to get onto the tram but lots of them get turned away and are told to wait for the next tram. Basically they are all subject to the will of other's because of their lack of a bike. This can be read as a metaphor for the struggle of living and without the means needed to survive.
Image result for the bicycle thiefI thought that the use of unprofessional actors was not evident. Had I not known they were unprofessional, I wouldn't have guessed because they acted very well in my opinion. In a way, they brought a realism to the screen that perhaps couldn't have been achieved had they used professional, seasoned actors. One part that I found very interesting way that in one scene as the father and son are looking for the bike, the son keeps glancing up at his father as if looking for some comfort from him. I don't now if it was the directors direction or just the boys acting decision (or his sub-concious acting decision) but in my opinion it added a whole new layer to the father-son relationship dynamic between the two on screen.
Image result for the bicycle thiefThe fathers character arc is very obvious. He begins being portrayed as a kind, upstanding man who obviously loves his son and wife. As the obsession to find the bike begins to override his morals. We see this unravelling when the father hits his son in his anger. The whole story arc comes to a climax when the father is caught redhanded as, in his desperation, he attempts to steal a bike for himself. The father then seems to realise how his desperation and poverty ended up changing his ideals and he seems ashamed that his son was there to witness the whole situation.
Image result for the bicycle thiefThe son was a very good character in my opinion. He was a character who seemed to believe that hard work and dedication without giving up would lead to a successful outcome. Even when tired, hungry and upset, he continues to help search for the bike. He has a clear sense of what is right and what is wrong, and so, he is obviously upset and confused when he watches his father robbing a bike when he knows it to be wrong. In many ways, the boy grows up in the film from being a naive young boy who thinks that anything must be possible to realising there is inequality in wealth that can lead people to doing bad things. I think that one of the most obvious moments that the boy realises this is when he is in the fancy restaurant and sees that not all families are like his and some can afford an upbringing very different that the one he was given, purely as a result of the wealth of the family they were born into.

Comments

Popular posts from this blog

BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story

BSA126 Animation Character - Tim Lockwood, Cloudy with a Chance of meatballs.

Tim Lockwood Tim Lockwood is Flint's father in 'Cloudy with A Chance of Meatballs'. I picked him because I think he is interesting because he doesn't have any eyes that we can see but the animators are able to show us his emotions purely by his eyebrow movements. Structurally, Tim's face is made up of very simple shapes, His eyebrows are a simple rectangle shape that has been given a hair-like texture design to show they are very bushy. His nose is also a rectangular shape with little realistic design apart from the flat rectangular shape. His mustache is similar to his eyebrows, only a slight curve to show gravity and to make his face seem more realistic. It also doubles as a mouth shape in many ways, similar to how his uni-brow doubles as eyes. The head shape itself is basically a conical shape with curving lines which indicates a chin. Tim Lockwood's personality is quite bland and conventional. Therefore, the shirt he wears is a pale, greyish b

BSA206 Animation History 1990s

Due to the success of The Simpsons , more experimental TV animation began emerging. The Tick was a 1994 animation that was based on Ben Edlund's absurdist superhero comic and adapted into an animated series by Fox. The Critic (1994) was created by The Simpsons writers. It is about a critic who hates contemporary films. Duckman  (1994) was created by Everett Peck and it was based on characters from his comic. It was aimed at an adult audience and Duckman was voiced by Jason Alexander from Sienfeld . The Big Story  depicts an argument between young Kirk Douglas and old Kirk Douglas. Quentin Tarantino liked it so much that he requested it to be played before Pulp Fiction screenings. The Big Story is a 1994 stop motion film that was nominated for an Oscar. It was created by Tim Watts and David Stoten who went on work on other films including working on the storyboards for Tim Burton's Corpse Bride . In 1995 Dave Brothwick created The Secret Adventures of T