Skip to main content

BSA103 Out of the Blue Censorship.

Image result for out of the blue 2006


Director: Robert Sarkies.
Chief Censor: Bill Hastings.

"Out of the Blue" depicts the true story of a 1990 massacre that took place in the town of Aramoana, New Zealand. The film was released to the Toronto Film Festival in 2006, but people expressed some concerns over the rating of the film in New Zealand.


Image result for out of the blue 2006The classification Office realised that the adult New Zealander's would remember the events and may know or be someone who was affected by them, therefore potentially making the film more upsetting and traumatic for those viewers.




Two consultations were held for the film. The first attended by nine people who had either been related to victims or injured during the shooting, the second attended by twenty-one members of the Aramoana community. 


Many of the people thought that the film should be released with age restrictions in the cinema, but not widely distributed on DVD. Others felt that the film should be restricted but that they themselves wouldn't watch it. One of the main issues that the community had with the film was they felt that the massacre had put the town under the view of the public spotlight, meaning that they had to re-live the event every time an anniversary came around or another film was made about it.



Image result for out of the blue 2006
Initially, Robert Sarkies considered the consulting of locals about the movie to be "PC gone mad". The Chief Censor disagreed saying that they had to have a balance between being fair to both the film maker and the film audience, but also to consider that the film dealt with matters that were "injurious to public good" and it would be the relatives and people of Aramoana who were most affected.




The final restriction placed on the film was that of an R15 rating. The descriptive note "contains violence and content that may disturb". was put alongside the rating. Sarkies agreed with this decision because he felt that this ment that the film could be shown to senior high school classes stating, "fifteen year olds are old enough to comprehend this film."

The classification decision that gave "Out of the Blue" the R15 rating justified their decision by saying;

"The film is likely to present violence to teenagers in a new light. Rather than the sanitised and glorified violence often depicted in popular mainstream productions, Out of the Blue presents violence in a realistic manner. The random, unspectacular nature of violence is captured, as are the devastating repercussions it has for good, honest, real people."
(Office of Film and Literature Classification, 2006)

Comments

Popular posts from this blog

BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story

BSA126 Animation Character - Tim Lockwood, Cloudy with a Chance of meatballs.

Tim Lockwood Tim Lockwood is Flint's father in 'Cloudy with A Chance of Meatballs'. I picked him because I think he is interesting because he doesn't have any eyes that we can see but the animators are able to show us his emotions purely by his eyebrow movements. Structurally, Tim's face is made up of very simple shapes, His eyebrows are a simple rectangle shape that has been given a hair-like texture design to show they are very bushy. His nose is also a rectangular shape with little realistic design apart from the flat rectangular shape. His mustache is similar to his eyebrows, only a slight curve to show gravity and to make his face seem more realistic. It also doubles as a mouth shape in many ways, similar to how his uni-brow doubles as eyes. The head shape itself is basically a conical shape with curving lines which indicates a chin. Tim Lockwood's personality is quite bland and conventional. Therefore, the shirt he wears is a pale, greyish b

BSA206 Animation History 1990s

Due to the success of The Simpsons , more experimental TV animation began emerging. The Tick was a 1994 animation that was based on Ben Edlund's absurdist superhero comic and adapted into an animated series by Fox. The Critic (1994) was created by The Simpsons writers. It is about a critic who hates contemporary films. Duckman  (1994) was created by Everett Peck and it was based on characters from his comic. It was aimed at an adult audience and Duckman was voiced by Jason Alexander from Sienfeld . The Big Story  depicts an argument between young Kirk Douglas and old Kirk Douglas. Quentin Tarantino liked it so much that he requested it to be played before Pulp Fiction screenings. The Big Story is a 1994 stop motion film that was nominated for an Oscar. It was created by Tim Watts and David Stoten who went on work on other films including working on the storyboards for Tim Burton's Corpse Bride . In 1995 Dave Brothwick created The Secret Adventures of T