Skip to main content

BSA306 Brainstorming ideas (Week 1)

I want my major project this year to be something around the concept of an observer watching a world that they inhabit, but are not part of. I was inspired by the mice and rats that we keep getting in our flat. One day I thought about how we see them vs how they see us and I realised how different that must be. I thought if I shot the film from the viewpoint of the mouse, I could mess with time, proportion and even how recognisable the humans are. In my mind, the humans will be the 'aliens' of the piece, with the mouse being more recognisable to the audience than the human characters.

I want the humans to be drawn using 2D, out of proportion, and I also want to mess with timing and form because I want to try and emulate how the small animal would see them. I am wondering how I am going to stylise them. I have a vague idea in my head, but it's not very clear.
For this class I want to think about experimenting with the style that the humans will be drawn in, also I want to experiment with developing the characters themselves. Finally, by the end of these experiments I want to have nailed down not only who the characters are and how they look, but also I want to have an idea of how they move so that when it comes to my major project I will know exactly how my human characters will look to the small rodent whose eyes the audience is seeing through.

Some examples of the look I am interested in exploring further to develop my characters style are:

Image result for walking short film ryan larkin
This image is an example of how I want to mess with proportion by using different camera angles.

Related image
Another example of messing with proportion and exaggerating features to make the characters appear more 'alien'. 

Image result for 2D experimental animation characters gorillaz
Another Style I will look into for creating 'alien' looking characters.

Image result for sketchy people movement
I like the sketchiness of this and want to make the characters kind of sketchy rather than with clear linework. I will experiement with levels of sketchiness: how realistic I want to go vs how cartoon-like I want the characters to appear. Ideally I will find a good balance between sketchy while still maintaining the cartoon's form. 


Labels:

Comments

Post a Comment

Popular posts from this blog

BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story
Post a Comment
Read more

BSA126 Animation Character - Tim Lockwood, Cloudy with a Chance of meatballs.

Tim Lockwood Tim Lockwood is Flint's father in 'Cloudy with A Chance of Meatballs'. I picked him because I think he is interesting because he doesn't have any eyes that we can see but the animators are able to show us his emotions purely by his eyebrow movements. Structurally, Tim's face is made up of very simple shapes, His eyebrows are a simple rectangle shape that has been given a hair-like texture design to show they are very bushy. His nose is also a rectangular shape with little realistic design apart from the flat rectangular shape. His mustache is similar to his eyebrows, only a slight curve to show gravity and to make his face seem more realistic. It also doubles as a mouth shape in many ways, similar to how his uni-brow doubles as eyes. The head shape itself is basically a conical shape with curving lines which indicates a chin. Tim Lockwood's personality is quite bland and conventional. Therefore, the shirt he wears is a pale, greyish b
Post a Comment
Read more

BSA206 Animation History 1990s

Due to the success of The Simpsons , more experimental TV animation began emerging. The Tick was a 1994 animation that was based on Ben Edlund's absurdist superhero comic and adapted into an animated series by Fox. The Critic (1994) was created by The Simpsons writers. It is about a critic who hates contemporary films. Duckman  (1994) was created by Everett Peck and it was based on characters from his comic. It was aimed at an adult audience and Duckman was voiced by Jason Alexander from Sienfeld . The Big Story  depicts an argument between young Kirk Douglas and old Kirk Douglas. Quentin Tarantino liked it so much that he requested it to be played before Pulp Fiction screenings. The Big Story is a 1994 stop motion film that was nominated for an Oscar. It was created by Tim Watts and David Stoten who went on work on other films including working on the storyboards for Tim Burton's Corpse Bride . In 1995 Dave Brothwick created The Secret Adventures of T
Post a Comment
Read more