Skip to main content

BSA206 Motion Capture in Film

Rotoscoping was one of the earliest versions of motion capture. Its is where animation is drawn of real character's performances.In Gullivers Travels (1939) rotoscope was used for the main character. The 2001 movie, Waking Life, is also done using rotoscope.

Waldo by Jim Henson, is also made using motion capture.

Sexy Robots was another breakthrough for Motion Capture film, it was an ad to sell cans. This had to be a robot that moved like a woman, which had to be created by a computer. They filmed a live model with spots painted on her body to get the information that the computer could use to animate.

The 1990 version of Total Recall which was a failed attempt at motion capture. In the end they animated the scene instead.
The music video Don't Touch Me (1989) by Dozo was done in Motion Capture, as well as Peter Gabriel's Music Video for Steam, which has motion capture in it too.

The first game was Highlander: The last of the Mcleod's (1995). Grand Thief Auto (2001) is a big example in motion capture in Gaming.

Lord of the Rings and King Kong (2005) both star Andy Serkis in a motion capture role, such as the role of Gollum.

The Polar Express (2004) is a fully Motion Captured film. Some people found the film weird because of the uncanny valley theory. This is because people find robotic movements in a human-like face creepy. Adding cartoon-y elements helps make people feel less repulsed.

When I watched Rouge One, without realising it I noticed the uncanny Valley there. The actor who plays Tarkin died before the movie was made and, rather than recast him, they just made the character a CGI equivalent. The animation is fantastic and I almost didn't notice, but whenever he was on-screen I did think he looked a bit 'plastic' and his face didn't look quite right. He came across a very, very small bit unnatural and that was enough to sit a bit 'off' with me. Although it was an example of a very high level CGI, it is also an example of the uncanny valley because he isn't quite human enough to be entirely seen as human.

Comments

Popular posts from this blog

BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story

BSA126 Animation Character - Tim Lockwood, Cloudy with a Chance of meatballs.

Tim Lockwood Tim Lockwood is Flint's father in 'Cloudy with A Chance of Meatballs'. I picked him because I think he is interesting because he doesn't have any eyes that we can see but the animators are able to show us his emotions purely by his eyebrow movements. Structurally, Tim's face is made up of very simple shapes, His eyebrows are a simple rectangle shape that has been given a hair-like texture design to show they are very bushy. His nose is also a rectangular shape with little realistic design apart from the flat rectangular shape. His mustache is similar to his eyebrows, only a slight curve to show gravity and to make his face seem more realistic. It also doubles as a mouth shape in many ways, similar to how his uni-brow doubles as eyes. The head shape itself is basically a conical shape with curving lines which indicates a chin. Tim Lockwood's personality is quite bland and conventional. Therefore, the shirt he wears is a pale, greyish b

BSA206 Animation History 1990s

Due to the success of The Simpsons , more experimental TV animation began emerging. The Tick was a 1994 animation that was based on Ben Edlund's absurdist superhero comic and adapted into an animated series by Fox. The Critic (1994) was created by The Simpsons writers. It is about a critic who hates contemporary films. Duckman  (1994) was created by Everett Peck and it was based on characters from his comic. It was aimed at an adult audience and Duckman was voiced by Jason Alexander from Sienfeld . The Big Story  depicts an argument between young Kirk Douglas and old Kirk Douglas. Quentin Tarantino liked it so much that he requested it to be played before Pulp Fiction screenings. The Big Story is a 1994 stop motion film that was nominated for an Oscar. It was created by Tim Watts and David Stoten who went on work on other films including working on the storyboards for Tim Burton's Corpse Bride . In 1995 Dave Brothwick created The Secret Adventures of T