BSA206 A Scanner Darkly

A Scanner Darkly is a 2006 film, directed by Richard Linklater, based on Philip K. Dick's novel of the same name.
It is about an undercover cop who becomes an addict to a dangerous drug known as "substance D". The film is shot in entirely rotoscope, which I think adds to, and elevates, the overall mood of the movie. I think that the subject matter makes the use of rotoscoping quite fitting because the whole story revolves around a guy who doesn't quite feel himself as a result of falling into the trap of addiction, along with this, many characters throughout the story aren't who they say they are. Rotoscoping makes the characters not quite real, but not cartoons either. We recognise the actors faces, making them seem more human and accessible, but they aren't quite themselves at the same time as a result of the rotoscoping and this gives the audience a feeling that everything is not quite right. This feeling continues throughout as the plot evolves, before coming to a head at the end revealing all.

I think that rotoscoping the film was a success. It made it much more interesting than it would have been without because it added a whole other level to what the audience recognised as real.

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BSA126 Gump walks.

Gump Side Walk The side walk for Gump. I tried to make him seem as if he is a bit of a sloucher-almost as if he drags himself along the ground a bit. He's a bit of a lonely sad guy so I didn't want him looking too perky and happy. Gump three quarter walk I tried to do the same slouchy, sad walk for the 3/4 walk animation, his head is bowed and I hope he doesn't look too happy. Gump front walk I tried to experiment a bit more with the front walk. My initial idea for Gump would be that although he walks upright, he resorts to a four legged walk at times because he is ment to be a bit primitive in his actions and appearance. I wasn't entirely happy with how the walk turned out and it could definitely do with a few tweaks but I'm happy in the sense that his four-legged walking style gives him a bit of personality. I'm still not fully satisfied with the character design of Gump but I am getting closer to figuring out what I want and what ...

BSA126 Bird, Cat, Dog, Horse.

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BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story ...

Nina

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