BSA106 Surrealist cinema.

Surrealist film came with the movement of surrealism that was an art movement in Paris from 1924 to 1941. The movement stemmed from the Dada movement than came previously. Surrealist cinema used shocking, irrational, absurd and dream-like sequences in it's films.

Unlike most of the Hollywood films that had come before surrealism, most surrealist films don't have an obvious narrative, or much logic in the way the story is told.

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The animations created by Terry Gilliam from Monty Python has been influenced by surrealist film. This can be seen in the way that the animations have little in the way of a plot line and most of the narrative decisions that he makes seem to be more influenced in what he feels like is the natural progression for that character or object on the screen at the time.

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BSA106 German Expressionism.

German Expressionism in film came about after WW1, after Germany lost the war. Germany wanted to revitalise the film industry and to create a better impression for the country. The German government subsidised the UFA (Universum-film AG), whose studios were the largest and best equipped in Europe. This became Germans golden age of cinema. German Expressionist film lasted from 1919 to 1933 when Adolf Hitler came into power. Unlike other Western films of that period that focused more so on creating realism, German Expressionism distorts reality to create an emotional effect. Expressionism films employed stylised set design, elaborate costuming, shadowy lighting that emphasises bold contrasts of dark and bright highlights and unnatural make-up. The settings are typically distorted and exaggerated, with key themes being madness, criminality and fracturing of identity. German Expressionism was a huge influence in developing the horror genre. They began to tell the story ...

BSA126 Animation Character - Tim Lockwood, Cloudy with a Chance of meatballs.

Tim Lockwood Tim Lockwood is Flint's father in 'Cloudy with A Chance of Meatballs'. I picked him because I think he is interesting because he doesn't have any eyes that we can see but the animators are able to show us his emotions purely by his eyebrow movements. Structurally, Tim's face is made up of very simple shapes, His eyebrows are a simple rectangle shape that has been given a hair-like texture design to show they are very bushy. His nose is also a rectangular shape with little realistic design apart from the flat rectangular shape. His mustache is similar to his eyebrows, only a slight curve to show gravity and to make his face seem more realistic. It also doubles as a mouth shape in many ways, similar to how his uni-brow doubles as eyes. The head shape itself is basically a conical shape with curving lines which indicates a chin. Tim Lockwood's personality is quite bland and conventional. Therefore, the shirt he wears is a pale, greyish b...

BSA106 Film and Animation 1905-1915

James Stuart Blackton (USA/UK) While working as a journalist, Blackton interviewed Edison. This changed the direction of Blackton's career and he became a camera man, director and one of the founders of animation. Some claim that Blackton created the first drawn animation recorded on film. Some of his films are; Humourous Phases of Funny faces (1906), The Enchanted Drawing (1900), The Haunted Hotel (1907). Ladislaw Starewicz (Russia) Famous for using embalmed insects in his film as the main characters. The Be autiful Leukanida (1910) was a worldwide success. A London newspaper said that the insects had been alive and were trained by a Russian scientist. Martin Thornton (UK) Created In Golliwog Land (1912), which was a combination of stop motion and live action and is credited as the first colour animated film made with the Kinemacolor process. Colour animation had been made by painting or tinting frames beforehand, but Kinemacolor was the first widely used colou...

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