Sergei Eisenstein. Eisenstein's film style emerged as a result of the Russian Revoloutions, during which he had designed propaganda posters. He was taught in Kuleshov's workshops, but he advanced Kuleshov's techniques. He split montage into five different ways; Metric (each shot is timed), Rhythmic (each shot is timed according to the rhythm of what is in the shot), Tonal (cutting in order to generate an emotional connection), Overtonal (Using a combination of the previous three) and intellectual (Put a third shot after two previous shots to create meaning) Examples of Eisenstein's films would be "Strike"(1925) and "The Battleship Potemkin"(1925). Many examples of Eisenstein's use of montage can be seen in the famous step scene in "The Battleship Potemkin". Dziga Vertov. Dziga Vertov was a newsreel cameraman who coined the term 'Kino eye' or 'film eye'. He thought that the camera could capture ...
Blog showing concepts, ideas and tasks that I've researched and made during my time studying Bachelor of Screen Arts (Animation) at SIT, Invercargill.